Somehow I neglected to include Richard Gürtler’s May 2013 review of The Separate Ones here. Definitely an oversight, which I’m happy to rectify now. Many thanks, Richard!
Eyes Cast Down is Greg Moorcroft from Chicago and The Separate Ones is his debut work released on his own Kalindi Music label at the end of February 2013. As mentioned on Greg’s website, the album was recorded during the time span of 7 years. “First Day Apart”, a composition based on the longer separation with daughter, unfolds with sublime and sparse guitar dreamscapes, slowly meandering like a feather in the breeze. Strong longing feel is explored throughout this hazy and introspective soundscape, smoothly cascading from quieter contemplations to slightly more intense soars, yet still remaining enough consonant and allowing each listener to dive deeply into Eyes Cast Down’s own sonorous cavern.
“Rebuild From Memory” keeps its reflective dimension, but it’s surrounded by diversely scattered dissonant vibrations. “Knife Of Karma”, with 17 and half minutes the second longest composition, is invaded by fragile tinkles and mysteriously flavored drones, enhanced by diverse eerie fragments, cavernous rumbles and disruptive, nearly cacophonous embellishments. Here and there distant tribal groove fade in and out, and also occasional fanfares do their highly distinguishing work within this uniquely fragranced soundsculpting. All in all, it’s quite disturbing, but also as much challenging, a real masterpiece!!!
Celestial voice magics by guest singer Alannah lead “Expanse Of Heart” along with rather minimal and slowly shifting, organ-like drones create a truly mesmerizing reverie taking the listener on a soothing mind journey. The next composition, “Like A Riven Cloud”, clocking over 21-minute mark, reveals with deeper organic drones, enhanced by low rumbles and ghostly female whispers by another guest, Greg’s wife Dasi. Composed as a dedication to a friend that committed suicide, it paints a truly mysterious and grieving sceneries, especially when deeply evocative washes merge with the reciting voice along with expanding mournful violin expressions by Ezra Azmon. Few piano subtleties tranquilly float through too. Thoroughly gorgeous!!!
“Radha’s Tears” closes the album with coiling and resonating, hypnotic guitar drone, again conjugated with Dasi’s celestial chants. Overall, this is definitely not your ordinary accessible ambient recording, for sure The Separate Ones album craves for numerous listening sessions with deeply dedicated attention and immersion, but then it offers huge amount of fruitful and joyous moments filled with highly reflective, but enormously distinctive and intriguing palette of sounds and atmospheres. The Separate Ones is your ticket to magnificently perfumed and anomalously mindscaping sonic realms, a must have!!!
Photographs by Boris Lelong and Kris Tilbury nicely accomplish this album, while the credit for mastering goes to Bobby Jones. For a debut work like this, I won’t hesitate to say, this is a virtuoso performance!!! And since Greg Moorcroft was working during the last 7 years on several other albums, some of them are scheduled for this year’s release, so make sure you will keep an eye and ear on this highly capable and crafted ambient venturer!!!